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Ink Films Acquires 90s Cult Classics American Job and Office Killer

Thirty years after their initial run, two defining pillars of independent 1990s cinema are returning to theaters. Ink Films has secured North American distribution rights for Chris Smith’s working-class portrait American Job and Cindy Sherman’s horror-satire Office Killer, marking a new chapter in the company’s repertory catalog expansion.

Ink Films Acquires 90s Cult Classics American Job and Office Killer
Photo: Bio & News

The acquisitions form part of a broader strategy to revitalize cult classics through theatrical anniversary releases. Chris Smith’s 1996 feature debut, American Job, is set for its first-ever DCP release following a legacy that began as an official selection at the Sundance Film Festival. The film, which tracks a protagonist through a series of dead-end roles, earned critical acclaim for its authentic, wry observations of American labor, often cited alongside titles like Office Space for its enduring relevance.

Cindy Sherman’s Office Killer joins the slate with an equally distinct pedigree. As the artist’s only feature film, the project features a notable ensemble cast including Carol Kane, Molly Ringwald, and Michael Imperioli, with a script co-written by Todd Haynes and Tom Kalin. The film blends office-culture satire with horror, a combination that has cemented its status as a cult favorite. According to Kip Kelly of Ink Films, the move aims to provide these overlooked projects the theatrical revival they have lacked for decades. Specific release dates and participating venues remain forthcoming.

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